Showing posts with label art. Show all posts
Showing posts with label art. Show all posts
good things come to those who wait
we've had this gilded frame
leaning up against a wall
in our studio for a couple
years now. i've been saving it
for something magnificent.
i finally found it rummaging
through g.'s paintings he keeps
stacked on a shelf. and in this
room she now gazes out at us
preserved behind glass.
i love her.
art wall + stairway = accident waiting to happen
feeling inspired after seeing what
jen did with her new brooklyn
apartment in just 4 weeks, and hating
myself even more for having
empty frames on this wall for almost
a year, i finally filled them with still
lifes, photograms, a sun print, a marbled
endpaper from an old book, and my absolute
favorite...a drawing g. did.
here's a peek of it through the banister.
it's the one of a lady with a tattooed neck
right above the moth.
it lay sequestered away in one of his
sketchbooks until i did a barbaric thing
and released it with an exacto blade.
already, i've nearly toppled a few frames on my way
down the stairs when i should be looking at my feet
and not the art. i'm a bit on the clumsy side, so this
just further complicates things.
in our last apartment, i fell down a flight of stairs
while painting the walls. naturally, i took the gallon
can of chalky white paint with me, which meant the
dingy brown stairs went next on the list of things to touch up.
it ended up being a huge improvement and so it was meant to be.
diaphanous drapery
gossamer...diaphanous drapery
highly expressive, swirling folds
as depicted in paintings and sculpture
makes my heart skip a beat
represented here by some of the greats.
laure regnaud de saint-jean d'angély by francois gerard
psyché et l'amour by francois gerard
venus and mars
three maenads, altar of dionysos, 5th century b.c.
another votary of Dionysos...
relief with a dancing maenad ca. 27 b.c.–14 a.d.; augustan roman copy of a greek relief attributed to kallimachos, ca. 425–400 b.c.
nike unlacing her sandal from the parapet of the temple of nike, late 5th century b.c.
stele of hegeso, late 5th c.
the nike of paionios, the work of paionios of mende in the chalkidike peninsula, c. 420 b.c.
highly expressive, swirling folds
as depicted in paintings and sculpture
makes my heart skip a beat
represented here by some of the greats.
primavera by sandro botticelli
primavera (detail)
portrait of josephine by francois gerard
laure regnaud de saint-jean d'angély by francois gerard
since this post is quickly becoming one about gerard,
here is yet another by him exploring the same
neoplatonic theme as the above primavera.
human soul and divine love united…
psyché et l'amour by francois gerard
another botticelli...incidentally, i was reading here that the plant depicted
in the lower right corner is datura stramonium also known as "poor man's acid"
– a hallucinogen. so perhaps mars isn't just sleeping. i can sleep through severe
thunderstorms, but i'm quite sure trumpet-blowing satyrs would have no trouble waking me.
in the lower right corner is datura stramonium also known as "poor man's acid"
– a hallucinogen. so perhaps mars isn't just sleeping. i can sleep through severe
thunderstorms, but i'm quite sure trumpet-blowing satyrs would have no trouble waking me.
venus and mars
venus and mars (detail)
the three graces by rubens
lucretia by cranach
perseus and andromeda by anton raphael mengs
morpheus and iris by pierre narcisse guerin
the pleiades by elihu vedder
now let's turn to illusionary transparency as a formal device in sculpture defined in
"an impression of a diaphanous fabric for the clothing of a sculpted figure.
It was especially popular among sculptors working in the last thirty years
of the fifth century B.C. In order to appear like gathered and transparent fabric
a successful rendering of illusionary transparency depended on substituting
raised ridges for the incised grooves of the modeling line technique to depict drapery."
It was especially popular among sculptors working in the last thirty years
of the fifth century B.C. In order to appear like gathered and transparent fabric
a successful rendering of illusionary transparency depended on substituting
raised ridges for the incised grooves of the modeling line technique to depict drapery."
venus genitrix , roman copy of 5th century greek original
three maenads, altar of dionysos, 5th century b.c.
another votary of Dionysos...
relief with a dancing maenad ca. 27 b.c.–14 a.d.; augustan roman copy of a greek relief attributed to kallimachos, ca. 425–400 b.c.
ludovisi throne, early 5th century b.c.
to think that many other objects of art from the same time period were broken,
buried, reused, melted, used as in-fill, sunk and therefore lost forever reminds me of this.
eastern section of the parthenon frieze representing poseidon, apollo and artemis, executed by alkamenes, 447 – 432 b.c.

stele of hegeso, late 5th c.
i realize i'm hopping around in history by adding this two-layered
arabian onyx cameo from after 10 a.d., but look how perfectly it
illustrates the subject. to imagine the gem cutter executing such
incredible detail over an area measuring 7.5 inches tall by 9 inches
wide makes me weak in the knees.
arabian onyx cameo from after 10 a.d., but look how perfectly it
illustrates the subject. to imagine the gem cutter executing such
incredible detail over an area measuring 7.5 inches tall by 9 inches
wide makes me weak in the knees.
gemma augustea, created by dioscurides or one of his disciples
the nike of paionios, the work of paionios of mende in the chalkidike peninsula, c. 420 b.c.
unlike the nike of paionios, the identity of the sculptor(s) is often unknown.
instead scholars must attribute a work to "the sculptors" or "follower of the sculptor".
instead scholars must attribute a work to "the sculptors" or "follower of the sculptor".
such is the case with the winged victory of samothrace, for a dedicatory inscription
has yet to be found. who was this man who sculpted one of the most famous statues
of antiquity? we don't even know your name, except that you may've been from the island of rhodes.
has yet to be found. who was this man who sculpted one of the most famous statues
of antiquity? we don't even know your name, except that you may've been from the island of rhodes.
winged victory of samothrace, 190 b.c.
only a handful of greek sculptors are known to us by name, such as
skopas, lysippos, paionios, pheidias and praxiteles, and yet they greatly
influenced the history of sculpture, artists of the italian renaissance, as
well as modern art, fashion and dance. however, as sir john beazley said,
"the name of the artist is of little importance, since we are privileged to
have before us his own work, which conveys the highest artistic messages,
as well as the spiritual and religious exaltation of those distant times."
skopas, lysippos, paionios, pheidias and praxiteles, and yet they greatly
influenced the history of sculpture, artists of the italian renaissance, as
well as modern art, fashion and dance. however, as sir john beazley said,
"the name of the artist is of little importance, since we are privileged to
have before us his own work, which conveys the highest artistic messages,
as well as the spiritual and religious exaltation of those distant times."
image credits: 1-2, 4) wikipedia; 3, 10-11) the hermitage; 5, 14, 23) the louvre; 6-7) the national gallery; 8) museo nacional del prado; 9) gemäldegalerie der akademie der bildenden künste, wien; 12, 15-16) the metropolitan museum of art; 18-20, 22) the greek museums published by ekdotike athenon s.a.; 21) behind the image by federico zeri
dreaming of windows
Seeing windows in your dream means bright hopes, vast possibilities and insight.
henri matisse explored the window theme, often with a still life set before it. looking at these paintings with their light and color and characteristic pattern brings me peace and happiness. better than meditation, which usually puts me to sleep, though i do feel rested afterward.
interior with black notebook. 1918
still life in the studio, nice. 1923
interior with egyptian curtain. 1948
open window at collioure. 1910
image credits: danske; metropolitan museum of art; history of modern art by h.h. arnason; web museum of fine art
a week without mirrors
as someone who should probably look in the mirror more often, this shouldn't be terribly difficult. the idea is an exercise from twyla tharp's book – the creative habit – designed to clear time and mental space to focus you.
make-up mirror 1950s by thurston hopkins
mary jane russell in dior by louise dahl-wolfe
outtake from a series taken by mark shaw for LIFE magazine in 1960. pictured is a model wearing dior.
couple d'amoureux dans un petit café by brassai
a bar at the folies-bergère by édouard manet
the comtesse d’haussonville by ingres
las meninas by diego velazquez
just above the infanta margarita's head is a mirror reflecting the king and queen, though some believe it may instead be a reflection of the painting the artist (velazquez) is working on.
another velazquez - the rokeby venus
rubens's venus in front of the mirror
rauschenberg's tracer
if you look in the upper right corner, you can see rubens's venus with her mirror & the dark-skinned maidservant behind the red box. this was one of my favorite paintings to stop at when i worked at the nelson. as soon as the students made out the profile of the maidservant, their eyes lit up as if they had just seen a rainbow.
venus with a mirror by titian
the arnolfini portrait by jan van eyck
detail of the mirror
new york, réflexion by jean-marc bernard
a building near times square reflected as seen from the artist's hotel room window on the 34th floor.
***
could you go a week without looking in the mirror?
image credits: 1) surfaceview; 2) louise dahl-wolfe: a retrospective by vicki goldberg; 3) andrew wilder gallery; 4) metropolitan museum of art; 5) getty museum of art; 6) artnet; 7) museo nacional del prado; 8) the national gallery, london; 9) liechtenstein museum; 10) nelson-atkins museum of art; 11) national gallery of art; 12-14) the national gallery, london; 15) yellowkorner
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